近来终于想起把《无法逃离的背叛》（个人还是更喜欢《背叛知道我的姓名》这个根据原文翻译出来的译名）捡起来看了。说实话我对这种既要卖腐还想拿BG姐弟恋来整事画风又不讨我喜欢的漫画不大感兴趣。不过很早之前就听说里面有MAMO的角色，就在想要不要看看呢？结果当时一心沉迷于durarara和戏言，就暂时没理。直到最近那个“原作党下等”一事让我对进讨论帖完全没了兴致之后才想起在开播前自己先预热下。
看完后感受：嗯，不愧是MAMO啊，角色又是我喜欢的类型。愁生好有爱啊~~外貌是我喜欢的类型，性格也是我喜欢的类型中排第二的那一种（排第一的当然是小正臣和米卡杰那种类型的~~~），行事风格也很得我心。对人总是淡淡的，对除了焰椎真以外的人缺乏关心，除了焰椎真以外觉得一切都无所谓，为了焰椎真做什么都可以，虽然表面上总是戏弄他，但是其实内心深处一直都担心着焰椎真会不会不再需要自己。哎呀哎呀好纠结~~~~
不过，你能想象这样一个人竟然还是个腹黑么？
问题就在这里。明明从各个角度看都受到不行的愁生，竟然是个很严重很严重的腹黑~~~~怪不得明明被称为“贵公子”的风纪委员大人，却被FANS称为“帝王”……嘛老实说，愁生那个纤细的形象实在不算很帝王（特别是这位腹黑居然还曾被焰椎真撕拉一下子扯开衬衫所有扣子都掉了），而且这位王子殿下还经常不吃饭（怎么看都是受……），但是单就腹黑这一点……所以这两人的CP很难分清攻受，但是要说是互攻我又不甘心……
其实也蛮喜欢九十九的外形和性格的，不过一想起CV是JUN……我没爱了。卡姑娘的黑刀也很有爱，不过有MAMO的角色在先，谁我都看不见了呀~~~~~
2010 Top 10 Young TV Ships(BC第一，NS第六）
以下内容引用自绯闻少女中文粉丝网，链接
http://gossipgirl.5d6d.com/thread-9379-1-1.html
2010 Top 10 Young TV Ships as voted by YOU By Portraitmagazine.net
1. Blair/Chuck [Gossip Girl] (4672) 26%
2. Puck/Rachel [Glee] (3495) 19%
3. Lois/Clark [Smallville] (1302) 7%
4. Chloe/Clark [Smallville] (1216) 7%
5. Nathan/Haley [One Tree Hill] (984) 5%
6. Nate/Serena [Gossip Girl] (781) 4%
7. Penny/Sheldon [Big Bang Theory] (749) 4%
8. Chloe/Oliver [Smallville] (686) 4%
9. Rachel/Finn [Glee] (582) 3%
10. Puck/Quinn [Glee] (539) 3%
其他GG couple的排名：
11. Nate/Jenny [Gossip Girl] (447) 2%
16. Dan/Serena [Gossip Girl] (181) 1%
18. Blair/Nate [Gossip Girl] (126) 1%
20. Dan/Vanessa [Gossip Girl] (118) 1%
35. Nate/Vanessa [Gossip Girl] (26) 0%
#6. Nate Archibald Serena van der Woodsen [Gossip Girl]
“Ever since last week, ever since three years ago when you left...”
The IT Girl and the Golden Boy. The Prince and Princess of the Upper East Side. It might sound like a fairy tale but it’s not, and just as well since fairy tales are overrated and this ship is anything but! Serena van der Woodsen and Nate Archibald have been friends since they were children and Nate has been in love with Serena for quite some time. But their relationship has always been complicated by something and the timing has never been right. Nate was dating Serena’s best friend Blair Waldorf, and since Nate and Serena never wanted to hurt Blair, they ignored their feelings until the fateful night at the Shepherd wedding. Guilty and confused, Serena left town but when she returned a year later, it was clear that the sparks were still there between her and Nate. What’s funny about these two is even though they didn’t share many scenes together in season one, the small amount that they did made shippers happy because the screen and characters lit up in ways that are indescribable. Whenever Serena and Nate have scenes together, there’s a carefree atmosphere in the air – a refreshing change from the angst and tension on the Upper East Side.
It’s also worth noting how these two characters inspire each other. Note how Nate takes action when it comes to Serena – something he hasn’t really done when it comes to other girls he’s been with like Blair and Vanessa. When Serena cams back into town, Nate sought her out to see where they stood. At the masquerade ball Nate confessed to who he thought was Serena (it was Jenny) that he was still in love with her. And more recently, it was Nate who confessed to Serena that he was in love with her and has been for all these years.
Classic Shipper Moment: Realising that he was losing Serena to his cousin Tripp, Nate laid his heart on the line and begged Serena to stay with him.
Nate: Don't go with Tripp.
Serena: Nate...
Nate: Look, I know what I did was wrong. But I did it because ... ever since last week, ever since three years ago when you left ... please don't go. Please stay here with me. Please give me a chance.
- Nate and Serena in 3x11: The Treasure of Serena Madre
#1. Chuck Bass Blair Waldorf [Gossip Girl]
“I’m not Chuck Bass without you.”
It’s hard to explain why fans are drawn to Chuck and Blair. The reason seems simple enough – because they’re Chuck and Blair. You can’t have one without the other because they aren’t who they are without each other. Chuck and Blair love each other unconditionally and accept each other for who they truly are – the good, the bad, and the ugly. There is no one else for them – no one else could ever come close to understanding them the way they do each other. They bicker and squabble, are deceptive and manipulative, they scheme and cause havoc on the world around them. They’re passion and drama. In an ordinary world they’re a recipe for disaster, but Chuck and Blair are anything but ordinary, and because of that fit perfectly together.
For most shows, when couples with so much passion and tension get together, they fizzle, but Chuck and Blair have proved the critics wrong. After so much dancing around and game playing in season two, the pair have finally gotten their act together and are a stable couple in season three. Stable in Chuck and Blair land however, does not equal boring! Sure they are a bit more wiser and mature but they’re still Chuck and Blair spicing up their relationship and combusting with chemistry - finally committing to each other has not changed that. These two still make shippers laugh, cry and touch fans’ hearts in a way that no other ship can and that is why these guys are still #1 in our Top 10 Young TV Ships Poll for the second year in a row.
Classic Shipper Moment: There was so much angst and drama between these two in season two – so much dancing around each other rather than admitting their true feelings, so fans were relieved and overjoyed when they finally got their act together and Chuck admitted how he really felt about Blair in a grand gesture in a way that no one but Chuck Bass could.
Blair: Why aren't you in Europe?
Chuck: I was in Paris, but only to get your favourite macaroons from Pierre Hermè
Blair: And Germany?
Chuck: To pick up your favourite silk stockings, you know how I adore them.
Blair: What are you doing here then?
Chuck: You were right. I was a coward running away again. Everywhere I went, you caught up with me so I have to come back.
Blair: I wanna believe you, but I can't. You hurt me too many times.
Chuck: You can believe me this time.
Blair: Oh, that's it?
Chuck: I love you too. [they kiss]
Blair: Like, can you say it twice [they kiss again] No, I'm serious, say it twice.
Chuck: I love you, I love you, that's three, four, I love you.
- Chuck and Blair in 2x25: The Goodbye Gossip Girl
[10年2月][DJ乐评组]审美时好时坏日系歌曲推荐（12）(附试听链接)
接上回（：P）资源来自于网络，版权归原作者所有，感谢上传者辛苦上传。
156. everytime you kissed me ——Emily Bindiger
http://www.tudou.com/programs/view/AzkAtKZhAGY/
潘朵拉之心中那首纯净的八音盒Lacie的人声版。原曲的轻灵神秘，在Emily Bindiger的歌声中，变成了经年累月的遥远回忆，仿佛看得到记忆碎片里的Alice，被幽禁在古堡中唯一的欢乐时光就是与Jack谈笑风生的下午茶会。歌中最动人的部分就是贝田由里子的和声吟唱，仿佛无处倾诉的幽怨，在雾样迷宫中，蜿蜒无尽。
157. Cross Talk
cross talk-2004ver-詩月カオリ（Cross Talk - FISH TONE Style -）
http://www.tudou.com/programs/view/akK8T5cST14/
cross talk-2006ver- 怜奈 http://www.tudou.com/programs/view/p9glX6tgP7Q/
cross talk-1999ver-MARY http://www.tudou.com/programs/view/yOCNMNkghyk/
最初的版本是MARY的Loli音，随后是更改了编曲的詩月カオリ版本，接下来是换回了原本编曲的怜奈版本。无论哪个版本都非常动听。MARY的歌声仿佛在表达小小的愿望一般，柔柔的；詩月カオリ像是在雪地里静静的怀念梦一样的过往；而怜奈的歌声则充满了柔韧感和跳跃感，好似刚入秋时暖暖的，又飒飒的风。每一个版本，都能让你在欣赏之时，脑海中浮现出截然不同的画面，还有各式各样的故事。
158. 生まれてきてくれてありがとう——dai
http://www.tudou.com/programs/view/GrvRlcl5NXk/
如同寒蝉有最著名的BGM——YOU一般，海猫也有其最动人的生まれてきてくれてありがとう。干净清澈的钢琴声，温暖的旋律。记得在游戏中就无数次的被这首曲子的出现而打动。注定失败的棋局，没有尽头的拷问，曾经没品的笑着的，那残酷的黄金魔女，在这旋律响起的此刻，内心深处却无时无刻不流淌着鲜血与泪水。而饱受诟病的海猫动画中，最为出彩的26话预告（竟然是预告！预告竟然比所有的正片都出彩！）就是贝阿朵寂寂的诉说着，配以这样流淌着温柔与悲伤的旋律：
“追忆的彼方
世界仿佛在碰撞的瞬间绽开金色之光
这份心意 这究竟是何记忆
那是梦 反复轮回 无限的生与死
所有的一切 都是这可悲的魔女所施展的幻影
但是…如果能被原谅的话…
妾身想要对翅膀
然后…想向天空展翅高飞
妾身的灵魂没有任何身份
无限的魔女之名 也已不需要了
解开束缚此身之枷锁
想要自由的飞向远方
直到天的尽头
直达一切的渊源
愿望…仅有一个…
希望你能将我铭记于心
直至下次相见之时…
只要汝的时间…还在继续
我…是谁…?”
159. LIFE——ネネ（cv.高垣彩陽）
http://www.tudou.com/programs/view/s4bcFpyHIyY/
CANAAN最终话里播放的插曲。经历了浩劫的城市，太阳照样升起，世界还是那样温暖平和。名为CANAAN的两名少女，有着不同的面庞，和相同的笑容。生活就是这样，谁也不是别人的希望，谁也成不了别人的希望。因为自己的希望，就是自己。高垣彩陽并不是那么的长于歌唱，但是这一首歌却分外动听：即使黑夜覆盖了世界，总有一天还是会看到太阳。即使生活暗淡无光，你至少还可以成为自己的希望。
160. ジェリーフィッシュの告白——中島 愛
http://www.tudou.com/programs/view/A2m6jhNAeDs/
歌词非常可爱非常有梦幻感的一首歌。每个人都可以飞翔，只不过被重力欺骗了而已。就算是没有翅膀的水母，也可以在海中游啊游啊飘啊飘啊，就像鸟儿在天空中那样。总觉得中岛与MF无关的歌都唱得还不错，进步也不小。记得武道馆演唱会时她出道还未满一年，努力忍着泪水不流出来的样子很萌。听说她经常带病努力的工作，就觉得这小孩其实是个好孩子。
161. Kissing the Christmas killer——坂本真绫
http://www.tudou.com/programs/view/0cx3LIgbZds/
坂坂的歌中常见的，带着淡淡的冷感的歌。仿佛自天而降的歌声，又仿佛冷冷的雨——明明是冬季，明明是圣诞，却带着些微的残酷感，好似本该传播福音的天使，却降落至此告知你不过是不被选择不被拯救的羔羊，不过是神玩弄于指尖的玩偶。
162. 心の星——南条爱乃
http://www.tudou.com/programs/view/SXAPlH2Emh4/
家教里不仅仅是萌之美少年的源泉，偶尔也会有萌萌的小LOLI出来用她那大大的眼睛和暖暖的笑容来舒缓你的神经。Uni妹妹是一个在血腥与黑暗的世界里，依然会笑着编花冠，手里捧着一篮子橘子的小小女孩，细细的歌声仿佛庭院里的小公主傍晚小憩后起来看廊下牵牛花。南条爱乃虽然在声优工作方面稍显欠缺声线变化，不过她的歌艺却受到不少好评，无论是电磁炮的节奏强劲，还是这首心の星的舒缓轻柔，都得心应手。个人虽不大喜欢她唱快歌时的声线，但是这一类的歌真的是能治愈心灵的呢。
163. BLAZE ～Crimson Lotus～——澤野弘之
http://www.tudou.com/programs/view/OURVrV3IkNM/
记得天衣酱曾说，澤野弘之的音乐完全就是她喜欢的风格。作为一个杂食动物，我并不能确定这位大师的音乐是不是一直都那么对我的胃口，但是至少这首BLAZE ～Crimson Lotus～就完全对我的FEEL。作为那个一直被我当基片和搞笑片来看的战国BASARA，有这么一首BGM实在是太棒了。不过每次听这首BGM时我脑补的都是舞-HiME里全体从黑曜宫出击，各位少女分别借助各式推进器来到机关以外，各自亮出武装，学园保卫战正式开幕的画面。
164.果て无きモノローグ——Angela
http://www.tudou.com/programs/view/6Nbo5-USeW0/
还记得MAMO那清亮的念白，还记得海底将陵对佑未的告白，还记得那个无人生还的悲怆结局。眼看着父亲死去，少女无力原谅自己，只能迁怒于将陵；眼看着昔日共同欢声笑语的伙伴，在怀中突然变成了绿色的结晶然后砰的碎了满地；眼看着镜中的自己，离“人类”的模样越来越远，那是何种难言的悲痛欲绝？携手于海中同生共死的结局很凄美，但是直到那段模糊的录音成为了逝者无尽的独白，才会发现眼泪早已满溢，却又无从言说。
165.Reset——平原绫香
http://www.tudou.com/programs/view/x0PvNEYSUkw/
神作级的《大神》里的经典一曲。平原绫香的实力想必不必多言。古风的编曲和旋律，渲染出别样的沉重感，仿佛睹物思人，仿佛与岁月觥筹交错间恍惚记起自己某个行将错过的旧约。不知时间沧桑后，那人是否还等在那樱花树下，一如曾经相约？
166. Calling——織田かおり
http://www.tudou.com/programs/view/joVi1rQzCH0/
成田良悟的经典小说（至少在我心目中绝对算是群像小说经典）BACCANO！TV动画化后的ED。梶浦大神的回归之作。最初开始关注KAORI就是从这首歌起步。柔中带刚的声线，属于那个年代的故事，因歌声而缓缓沉淀，老式火车上的嬉笑怒骂，火并争抢，不死少年与人造人少女的小小爱情，仿若长卷，随着歌声悄悄延展，各人各式的表情和姿态，被时代覆上了属于岁月的黄纱，然后随风化作一阵青烟，竟远去了。于是回身，对着曾经的故事微微一笑——看デユラララ！！去~
167.Refrain——宫野真守
http://www.tudou.com/programs/view/9jntCSQsDJg/
4TH SINGLE，自己作词，最喜欢的作曲家Jin Nakamura作编曲，拍了很唯美很动人很有FEEL的PV。如果让MAMO来列这首歌对他来说意味着什么，恐怕不止以上那一两行简简单单的文字吧。记得刚把这张碟子败回来时，捧着舍不得撒手，甚至舍不得放进光驱里哪怕转一转。于是它就被包的严严实实，连着快递用的盒子，一直供在我的枕边大半年，然后随着我一路飞机从青岛到祖国的最北边。说了这么多其实只是想表达一句：大家都去听吧这首歌真的超好听超好听超好听！！！然后P.S:如果有银子的话欢迎败一张原版，另外MAMO的LIVE DVD3月10日就发售了欢迎败~~~~~~
168. pink monsoon——シェリル・ノーム starring May'n
http://www.tudou.com/programs/view/UHzc8qNbyEs/
超适合May'n的一首歌。完全把May'n声线中性感的一面挖掘了出来，歌词写得有一些隐晦的エロ（好孩子不明白的话也没关系哟~）。唯一遗憾的是——May'n酱乃能不能校正下乃的日式英语啊……乃看看人家坂坂……
169. プライド～嘆きの旅——AKINO
http://www.tudou.com/programs/view/E-KQye0wixo/
菅野大神刚刚出了创圣系列的碟时，老实说我都觉得她是不是因为坂坂的离开而一时手忙脚乱了。几张碟里装满了欠缺个性的合唱独唱，格里高利玩得有些怪怪的，纯音乐失却了之前空灵和活泼。仿佛之前的灵气暂时跑掉了。所以创圣系列的音乐，除了那首“惊世骇俗”的“阿姨洗铁路”，还有牧野由依的神秘轻灵ED，能够令人印象深刻的恐怕就只有这一首プライド～嘆きの旅吧。老实说这首歌如果不算在菅野的名下，还真是不错的歌，但是想想那是菅野的作品，就不得不想叹息了。
170. 恋愛サーキュレーション——千石撫子 (CV:花澤香菜)
http://www.tudou.com/programs/view/M8F66V8XqCQ/
来了来了！本季最萌没有之一！众多欧尼酱们翘首以盼的萌歌终于降临，滋润了多少宅男的心啊~连身为非宅类的我也被萌到了。听过一遍之后脑子里就无限LOOP“ふわふわり ふわふわる”了。虽然对香菜CV学姐一事颇为不满，但是抚子实在是太萌了呀~~~~
TO BE CONTINUED
"原作黨本來就是下等的存在"
语出破狗论坛某同学。我只想说这个言论真的让我震惊的不得了。原来人真的要被分三六九等——而且还不是从品行和能力。不明不白的被人归为了“下等”老实说真的很不爽。喜欢一部作品，继而很认真的追看改编动画，然后和同好相互讨论，原来是错？原来是下等？在还没有动画化之前就看过原作并且觉得十分喜欢就是错？就是下等？这个所谓的“标准”真是可笑。我不擅长辩论，也不会骂人，当然更不愿意在这件事上大吵大嚷非要拉出什么主义什么道理不可。我这人简单，就是单纯的觉得，“喜欢”是下等？“已知”是下等？好笑！
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